Album Review #27: A Date With The Everly Brothers by The Everly Brothers (1960)

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Think about this for a second: without these guys, there’d be no Beatles or Beach Boys as we know them. Would anyone want to live in a world like that? I don’t think so. They were trailblazers in the world of pop-oriented rock and roll, and their influence on future musicians for decades to come simply cannot be measured. All future influence and importance aside, this is a damn strong pop-rock album in its own right. Short and sweet, it crams as many insanely catchy lyrics, choruses and melodies as is possible to fit inside its 27-minute runtime. It’s funny how albums so short can have such huge and lasting impact: Fats Domino, The Crickets and Little Richard, just to name a few, and now we have the Everly Brothers to join those prestigious ranks.

Blending elements of Elvis-style rock and roll with surf rock and Louvin Brothers-esque close vocal harmonies, this record creates a distinctive blend of pop-rock that’s extremely receptive to 60’s prom setlists and extensive radio play alike. Some may use those descriptors as an insult, but I think it really just proves how well the Everly Brothers know their craft. Don and Phil know exactly what to do to hammer a catchy melody or hook into your brain after just a single listen, and their knowledge of the art of pop is immediately evident. Commercially viable does not mean bad, and this album is only one of countless examples.

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Image Source: yourtoojerry.blogspot.com

Despite being a relatively short album compared to typical album runtimes, it actually works in a surprising amount of musical diversity. There’s Surf Rock in tracks like “Made to Love” and one of my personal favorites, “Sigh, Cry, Almost Die.” There’s slow ballads, like “That’s Just Too Much,” “Always It’s You” and one of their most well-known hits, “Love Hurts.” There’s even a hearty helping of blues rock, showcased at its best in “Baby What You Want Me to Do,” with some excellent piano and rhythm guitar. And with all of these suberb tracks, the album isn’t even done yet: there’s still songs like “Lucille,” “Donna Donna,” and of course, “Cathy’s Clown.”

This is an album that simply doesn’t waste a track. Every single one of this album’s 27 minutes is jam-packed with pop-rock perfection, and its short length means that you finish the album wanting more. Don’t be put off by their teenage-heart-throb image or their boy-band aesthetic, because they really do know how to make a good song.

Favorite Tracks: “Baby What You Want Me to Do,” “Sigh, Cry, Almost Die,” “Lucille,” “Cathy’s Clown”

Next Up:  Back at the Chicken Shack by Jimmy Smith (1960)

Album Review #25: Elvis is Back! by Elvis Presley (1960)

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Guess who’s back? Spoiler alert: it’s Elvis.

It’s been four years since our last Elvis album on the list: namely, his 1956 self-titled debut, Elvis Presley. While I most definitely respect that album’s place in the music history books, I found it to be a flawed record. It had many memorable songs, but it just seemed rough-around-the-edges, and not in a good way. This album, however, is a far superior record, with even more creative songs, wider selection of instruments, and a much more fleshed-out and completed feel to it. This record really proves Elvis’ ability to improve on past mistakes and evolve his sound, and is by all measures better than his debut.

As the title suggests, this was Elvis’ first album after returning from his time serving in the army. With much more creative control than he had had in a while, the King would produce a set of twelve songs on a whole new level of quality and depth than he had even reached beforehand. On this record he brings an immediately noticable country influence, evident in both the guitars and the baritone backup singers used on many tracks. Funny then, that the album’s best song would feature none of those: “Fever,” featuring nothing but bass, snapping, and Elvis’ effortlessly cool vocals, manages to be the album’s most memorable song despite being the most stripped-back track on the entire record. “Make Me Know It” and “Dirty, Dirty Feeling” are also highlights, bringing to the forefront Elvis’ classic fast tempo rock and roll to fantastic results.

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Elvis in uniform. Image source: aol.com

As always, he can play a mean slow song too. If you’re looking for a more sensitive, tender Elvis, you’ll find it on ballads like “Soldier Boy” and “I Will Be Home Again,” featuring great piano accompaniment, not to mention the country-influenced, Crickets-esque backup vocals. Yeah, they can sound pretty goofy at times, but it honestly just adds to the charm of it all. Elvis consistently proves that he can make slow ballads just as good as fast rock songs (sometimes even better), and these are just some of the best of them on this record alone. He’s versatile, and his albums are all the better for it.

So, if you weren’t swayed by his debut, give his comeback a chance. Even the title seems excited about it, so you know it can’t be that bad. With a perfect 50/50 mix of fast and slow songs, with much more diverse arrangements than his first record, Elvis is Back! is an improvement in every sense of the word. It’s the album Elvis Presley could have been, and really is just a good album regardless of his previous endeavours.

Favorite Tracks: “Fever,” “Make Me Know It,” “Soldier Boy,” “Dirty, Dirty Feeling,” “I Will Be Home Again”

Next Up: Miriam Makeba by Miriam Makeba